Inside an ivory-carving factory

September 03, 2014  •  Leave a Comment

As part of the ongoing investigations of the ivory markets in China we have been visiting carving factories.  We're slowly getting through them.  Of late we have also been interviewing every carver about their output, experience and when they started their employment.  

This series of photos all came from Beijing ICF.  Just before the 1990 CITES ban, this factory employed 800 people, of which 650 were carvers.  Prior to the 2008 CITES decision to allow a one-off sale of ivory to China (and Japan) the factory was down to 8 carvers.  This factory so far is unusual because the carvers do nearly all the work.  In other factories the carvers just carve the pieces, while specialised polishers finish the piece by, well, polishing it.

As is typical of many legal factories the output is with larger pieces.  Most carvers do not produce small generic items like chopsticks or necklaces.  New carvers were added in 2009 and none since.  As the pictures show, a factory is not a large establishment.  Production while aided with power tools now, is still artisanal.  Pieces will often take months to complete.  

#1 Interior - this scene is taken from some stairs, and captures all but two of the workstations.  The number of workstations provides a check to the number of carvers employed.

A CWP Photo

#2 Senior Carver- large tusks are the exclusive preserve of very experienced carvers.  If you make a mistake carving ivory, you cannot rub it out and start all over.  The ink-code on the tusk indicates it is from Namibia and 9.65kg.

A CWP Photo

#3 Carver - carvers often specialise and stick to a narrow range of subjects. 

A CWP Photo

#4 Desk- this gives a view of the equipment used.  

A CWP Photo

A CWP Photo

This carver has made a clay figure first before starting on his piece.

A CWP Photo

Attention to detail

A CWP Photo

Production is still artisanal, but some modern comforts are still employed

A CWP Photo

A view of some of the equipment used

A CWP Photo

It can get dusty.  Worked pieces will generate a lot of dust in the production process

A CWP Photo

Concentration and patience are necessary skills

A CWP Photo

Good lighting is also a prerequisite to making quality carvings

A CWP Photo

Faces are reputedly difficult to get exactly right.  Some carvers will specialise in one gender and can baulk at attempting the opposite

A CWP Photo

Another senior carver.  There were four of these in the factory.  Most had started their careers in the 1970s.

A CWP Photo

The detail work applied to large tusks can take a long time to complete.  Some tusks take a year to finish.

A CWP Photo

One of the carvers was on maternity leave

A CWP Photo

 

 

Close up of the Namibian tusk.  There is much left to be done.

A CWP Photo

Close up of the equipment.  Carving in fact, requires a lot of drilling

A CWP Photo

 

 

 


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